Oil On Canvas, Real Flavor of Old Masters

All RECCO, Giuseppe 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
8753  
Dead Games ioy, RECCO, Giuseppe
  		 Dead Games ioy   Oil on canvas Private collection
30010  
Fish, RECCO, Giuseppe
  		 Fish   mk67 Oil oncanvas 20 1/16x25in
70269  
Natura Morta con Frutta e Fiori, RECCO, Giuseppe
  		 Natura Morta con Frutta e Fiori   Medium Oil on canvas
76153  
Natura Morta con Frutta e Fiori, RECCO, Giuseppe
  		 Natura Morta con Frutta e Fiori   Date c. 1670 Medium Oil on canvas cyf
8847  
Portrait of a Man in Oriental Garment, RECCO, Giuseppe
  		 Portrait of a Man in Oriental Garment   1633 Oil on wood, 86 x 64 cm Alte Pinakothek, Munich
8756  
Still-Life with Fruit and Flowers, RECCO, Giuseppe
  		 Still-Life with Fruit and Flowers   c. 1670 Oil on canvas, 255 x 301 cm Galleria Nazionale di Capodimonte, Naples
8755  
Still-life with the Five Senses, RECCO, Giuseppe
  		 Still-life with the Five Senses   1676 Oil on canvas Private collection
76553  
Still-life with the Five Senses, RECCO, Giuseppe
  		 Still-life with the Five Senses   Date 1676 Medium Oil on canvas cyf
RECCO, Giuseppe
Italian Baroque Era Painter, 1634-1695 Son of Giacomo Recco. He was the most celebrated Neapolitan still-life painter of his day. He began in the tradition of his father and (probable) uncle Giovan Battista Recco, painting naturalistic arrangements of flowers, fish, game and kitchen scenes. There are many signed and dated works which chart the development of his style. The Bodeg?n with a Negro and Musical Instruments (1659; Madrid, Medibacoeli priv. col.), the Bodeg?n with Fish (1664; Paris, Moret priv. col.) and the Kitchen Interior (1675; Vienna, Ksthist. Mus.) are close to the art of Giovan Battista Recco. The fish and kitchen still-lifes are typically Neapolitan, yet Giuseppe's art is distinguished by the intensity with which he observes light and surface texture and by the clarity of the composition, based on a careful balance of horizontals and verticals. He moved toward a more Baroque and decorative style, and the unfinished Still-life with Fruit, Flowers and Birds (1672) and the Still-life with Fruit and Flowers



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